It has been over a month since I returned from Glasgow, but I did take a lot of pictures which I am never going to get through it seems! My last day there was spent quite busily checking out shows and galleries from the prestigious Turner Prize Exhibition at The Tramway to a small exhibition of video & sculpture at Celine, an alternative gallery in a private apartment. I wanted to go to the Gallery of Modern Art (GoMA) and managed to fit in a whirlwind look at it before high-tailing it to the Institute of Contemporary Art for a meet-up chat with its dynamic director, Francis McKee.
I had read about the cone on the Wellington statue at the entrance to GoMA -- it has been a beloved eccentricity of the city since the early 1980s to have a traffic cone hat on the figure. Looks like he has a cone in reserve at his feet...
The group exhibition "Devils in the Making" explores the relationship of the gallery collection to Glasgow School of Art. GoMA opened nearly 20 years ago to the criticism that it did not include internationally acclaimed Glaswegian artists and through this show celebrates a situation redressed. All the artists in the show are graduates of GSA.
The three white sculptures, abstract figursea are by Nick Evans and the piece to the left of the white sculptures is by Alex Frost - it is difficult to tell from the picture, but, if my memory serves me, it is a 3D mosaic of a crumpled "Ryvita" wrapper.
I really liked this sculpture by Martin Boyce -- I didn't realise it was neon tubing when I first saw it, just strange ethereal light emanating from the mesh skewed basket. The effect was somewhat unbalancing!
I was immediately attracted to this colourful jumble of half-chairs by Jim Lambie. My husband, James Hayes, was not in Glasgow with me, but this made me especially think of him.
In 1998 James had an exhibition, Tables/Tableaux, at the Basement Gallery in Dundalk. The gallery is divided into two spaces, and one of them contained Family -- an installation of floating, brightly coloured kitchen chairs, .