Showing posts with label Fracture. Show all posts
Showing posts with label Fracture. Show all posts

Wednesday, 26 April 2017

Incognito 2017 fundraiser

Just before Christmas last year, I received my "Incognito" kit: 3 postcards with plastic pockets (to protect finished pieces) and a return envelope. I was going take part in Incognito 2017, a fundraiser for the Jack and Jill Children's Foundation which supports the children and families of children affected by brain damage. I took part in a fundraiser for this charity a few years ago, The Big Egg Hunt Dublin, for which I painted a huge egg, which was auctioned off after public display at two locations (there were over 100 artist decorated eggs). Incognito 2017 was both less and more ambitious: there were no giant objects (eggs, pigs, hares) to be decorated and sold at auction, instead, artists simply had to create small works of art on postcards, signing the back only, and each and every postcard was sold at the same price of €50. The buyer would not know until buying a piece who the artist was, amateur or professional, famous or struggling artist. I got to work.


I decided early to do paintings/sketches related to the cityscape series I have been working on, planning to mount them on the postcards when finished. I began by attaching some pre-gessoed canvas to a board and added tissue for texture on the surface.


As is my usual practise when beginning a painting, I paint an undercoat of quinacridone violet. I like this colour and the way it sometimes warmly and happily peaks out of a finished painting.


I blocked in my basic image with yellow paint and applied metal leaf.


 Early stages of painting show some greens and blues.


When I had finished the painting on the paintings I decided they needed a bit more oomph and brought out the oil pastels for a bit of colourful drawing.


This is "Fracture" finished, prior to cutting from the board and mounting.


This is "Loss" prior to cutting from the board and mounting.


And this is "Eternity", which is related to a current large painting I am working on "Eternal City", also prior to cutting from the board and mounting on the postcard.


The art works were sent to the Jack and Jill foundation in late January and displayed last weekend at The Solomon Gallery, along with more than 1500 other cards! By Sunday afternoon all the cards had been sold making this a very successful fundraiser! I was planning to go into Dublin on the Friday when Incognito 2017 opened, but found out (via FaceBook) that there were enormous queues and that some people had been waiting upwards of four hours just to get in the gallery, so I decided not to go. However, an online gallery is now available here, though I do not know how long it will be live. I am happy to say that I was correct in identifying some of the more famous Irish artists who took part but it is a credit to all of the artists to give so freely of their work to this very worthy cause.

Wednesday, 11 January 2017

Incognito begins!

I started the small pieces for "incognito", this year's fundraiser for the Jack & Jill Foundation (supporting children and families). As I mentioned in my last week, I will not post finished pictures until after the final event a few months from now: the finished pieces will only be signed on the reverse so that buyers will not know who the artist is until after the sale. All pieces will cost the same price.

Because I wanted my paintings to be textured, I decided that, even though the cards seemed robust, it would be better if I did the paintings on canvas and then affix them to the cards when finished. I used tissue paper and pva glue to create texture.


The pieces are so tiny, it was easy to find a leftover piece of pre-primed canvas that was suitable to staple to a board. I marked out the sizes so that I can cut them when finished, After the texturing dried, I used a pin to prick any air bubbles and then painted my signature undercoat of quinacridone violet. 


Without giving too much away (especially as I don't really know what will happen when I start painting!) I can say that I have been looking at some old sketches.


These cityscapes are from 1981 sketchbooks, inspired by watching the sunrise through blinded office windows in downtown Toronto.


This sketch was inspired by a visit to Rome a few years ago.


I have a fair idea what all three pieces will be and how they will relate to each other, but this is all I will tell about the "incognito" project until the end of April, when the event will be over!

Wednesday, 4 January 2017

Incognito!

A few years ago I participated in a charitable fundraiser The Big Egg Hunt Dublin, which was a great success and also enjoyable. The Jack and Jill Foundation fundraiser for 2017 is called "incognito" and I am looking forward to starting my contribution. Before the holiday I received my incognito package, consisting of 3 small cards and an envelope with which to return them to the Foundation. Artists have been asked to create up to three small works, signed only on the back of the card, thereby being an initially unknown creator. All completed artworks will be displayed at the Solomon Gallery in Dublin in the spring, and will be for sale at a set price. The artists will remain unknown until the works are bought. I already know what I want to create on the three cards, so will get to them soon. I won't be posting finished pictures until the fundraiser is over, but I may post some teasers of work in progress. Happy New Year!