Incognito begins!

I started the small pieces for "incognito", this year's fundraiser for the Jack & Jill Foundation (supporting children and families). As I mentioned in my last week, I will not post finished pictures until after the final event a few months from now: the finished pieces will only be signed on the reverse so that buyers will not know who the artist is until after the sale. All pieces will cost the same price.

Because I wanted my paintings to be textured, I decided that, even though the cards seemed robust, it would be better if I did the paintings on canvas and then affix them to the cards when finished. I used tissue paper and pva glue to create texture.

The pieces are so tiny, it was easy to find a leftover piece of pre-primed canvas that was suitable to staple to a board. I marked out the sizes so that I can cut them when finished, After the texturing dried, I used a pin to prick any air bubbles and then painted my signature undercoat of quinacridone violet. 

Without giving too much away (especially as I don't really know what will happen when I start painting!) I can say that I have been looking at some old sketches.

These cityscapes are from 1981 sketchbooks, inspired by watching the sunrise through blinded office windows in downtown Toronto.

This sketch was inspired by a visit to Rome a few years ago.

I have a fair idea what all three pieces will be and how they will relate to each other, but this is all I will tell about the "incognito" project until the end of April, when the event will be over!

Incognito!

A few years ago I participated in a charitable fundraiser The Big Egg Hunt Dublin, which was a great success and also enjoyable. The Jack and Jill Foundation fundraiser for 2017 is called "incognito" and I am looking forward to starting my contribution. Before the holiday I received my incognito package, consisting of 3 small cards and an envelope with which to return them to the Foundation. Artists have been asked to create up to three small works, signed only on the back of the card, thereby being an initially unknown creator. All completed artworks will be displayed at the Solomon Gallery in Dublin in the spring, and will be for sale at a set price. The artists will remain unknown until the works are bought. I already know what I want to create on the three cards, so will get to them soon. I won't be posting finished pictures until the fundraiser is over, but I may post some teasers of work in progress. Happy New Year!

Marlay Park

On Sunday we went to Marlay Park after breakfast, to find some of the eggs in The Big Egg Hunt Dublin.  Reportedly there were six there, but we found 7.  This one, Eggscuse the Mess by Frank O'Dea, I particularly like, so had a photo opp!  

It took us ages to find the entrance to the Regency Garden, a walled garden within Marlay Park, where all the eggs were hiding (in plain view -- except the one which is masquerading as a shrubbery).  The entrance was through the coffee shop, where we returned later for twelveses.  The coffee shop patio seems to be the happy home of a peacock and peahen.  Here is the peacock being very impressive indeed!

Eggs-austed!

So I have been very busy since last Tuesday, working on this egg.  A little more detail after blocking.

 With the blue background it is starting to give more of a sense of what it may look like when finished. 

Since I'm up in the attic (my studio garret) my working soundtrack is provided by the dvd player, which means one cd at a time.  I alternate between 2 cds all day long -- PJ Harvey's "Let England Shake" and Tindersticks's "The Something Rain".  They are both fantastic cds, energetic and thoughtful - perfect for painting to.

Eggs-citement!

Yesterday was a very exciting day as the giant eggs arrived...Okay, I will start at the beginning. Last Thursday night James (my husband) saw a facebook posting calling for artists to decorate eggs for The Big Egg Hunt in Dublin in aid of The Jack & Jill Foundation children's charity. We had been talking of getting more involved with things going on and saw this as an opportunity. Enquiries were made on Friday and by the end of the day we knew we were going to get eggs early this week, especially as there was a very short deadline involved (unknown to us, this event was launched in October last!).  So here I am after gessoing my  egg yesterday.

Today of course, I set to as soon as my daughter was off to school.  Here I am blocking in the flowers, leaves and the rosehips of my design (based on Irish wild roses). I always start a painting with a ground of quinacridone violet, and use yellow as a block. I will be very busy until this is finished, so just about everything else is on hold!