Self-portraits

Last Saturday, May 20 2017, was National Drawing Day. I had been planning to do some plein air sketching in Knocksink Woods but there were a few downpours and I also had a birthday cake to make, so the kibosh was put on outdoor drawing. However, while doing my morning ablutions, I was enamoured by some of my curls and decided to do a quick self-portrait before brushing my hair. This is the result:

I have been thinking of doing a regular bout of self-portraits, but just haven't been motivated to start! For a brief period before my daughter was born (15 years ago!) I tried doing a daily self-portrait, but once I became pregnant, my drawing regimen lapsed. But at the beginning of that attempt I think I look a bit tentative about the project of self-portraits in a brand new sketchbook. This charcoal pencil sketch from August 9 2001 has holes speckled on the face because I later used the closed sketchbook as a semi-hard surface when I was piercing holes for bookbinding!

The pencil sketch on August 10 2001 also has numerous holes in it. It took me awhile to figure out what the things were in front of the mirror, then I remembered I was in a different house at the time, the mirror was above the fireplace and they were objects on the mantlepiece.

This pencil sketch is from August 13 2001, and again, because it is at the start of the sketchbook has holes in it. It must have been a warm day because my hair is tied back.

On August 14 2001 I was outside with a mini mirror on the window ledge, and obviously more interested in the fuschia.

On August 15 2001 I was interested in a continuous line, which stylised the drawing.

I remember this taupe t-shirt from Canada with the stylised deer, under one of my favourite items of clothing at the time - a denim shift dress. This pencil drawing is from August 16 2001.

A week later, August 20 2001, I was wearing my denim dress again. I loved my blue fish earrings, a gift from one of my Canadian friends. I lost one, but still have the other.

In this sketch from August 22 2001 I was trying to include a bit more of the room. The image behind me is a sketch of an oil painting of tulips that I had done in 1980. One of my earliest works that is still in existence!

This sketch is also from August 22. I know I was outside with the mini mirror because my glasses have gone dark.

This pencil sketch is from September 19 2001. I was starting not to feel well, but I didn't realise yet that I was pregnant.

By time I did this pencil sketch on October 27 2001, I had let all my family and friends know that I was having a baby. Later I was so grateful that my morning sickness only lasted for the first trimester -- one of my aunts had told me she had morning sickness for 9 months with each of her 5 children... I was never actually sick, but constant nausea all day prevented me from eating anything other than porridge and dried apricots. I remember it well.

On May 14 2002 (a week before my daughter was born) I commented on feeling Yoda-like while I tried to draw!

Knocksink Woods - sketches

We have had some gorgeous weather over the past few weeks and, as I mentioned in previous posts, I have had the opportunity to enjoy some shinrinyoku in the nearby Knocksink Woods of Enniskerry. As well as foraging for wild garlic to make pesto, I have also been taking the chance to do some research for a project that I am at the early stages of.

I am excited to be going to a one day printmaking workshop at The Print Museum, Dublin this Sunday and in preparation I wanted some sketches of stick forms.

I am not sure if prints created at this workshop will make their way into my final project, but at very least they will be additional research.

 The project involves making books (these sketches are in one of my handmade sketchbooks), prints, and some natural elements like sticks and stones.

These pencil sketches are true to the stick forms that they represent, but by focusing only on the sticks, leaving out their surrounding environment, they have become very abstract.

Preparations for work

I have been doing a lot of administration and organisation this past week. The administration has involved preparing proposals for various upcoming opportunities. This does involve a lot of work sitting at the computer, but it also affords me the headspace to clarify my ideas. I am looking forward then to creating new paintings, prints and books in the (hopefully) near future. With this in mind I am also trying to clean up and organise my studio. This sketch I did on National Drawing Day a few years ago used a corner of my studio as subject. If only the studio looked that tidy! I think at the time I was in the middle of working on a painting, so even though it looks a little chaotic, that is simply one corner. At the moment the entire studio looks chaotic and it would be completely impossible to work on anything. I am slowly making some headway though, proof being that I have filled 6 bags with shredded paper, have recycled and thrown out quite a lot of things. Still more to go.

Planning a holiday is always something to bring my spirits around. Last week I won a break to Edinburgh from a radio station that I listen to and yesterday I filled out all the required paperwork for the promoters, choosing my preferred dates to take the break. Something else to look forward to!

Summer sketching

There has recently been a spate of summery weather which has been facilitating lazy days of sketching. I don't always have to go somewhere else. Sitting out the back there was lots of flora to choose from. We have a large pot of azaleas and delicate flowers are appearing on the rosemary plant.

I recently re-located my flat drawing pencil -- like a carpenter's pencil except it has a 4B lead in it. I used it to do a quick sketch of our curry plant.

This sketch of my daughter reading in the front yard makes her look older than she is. I thought she was disturbed by something she read, but when I asked her later why she was frowning, she told me she overheard the neighbourhood children "playing" -- they were collecting bees in bottles to kill them.

I am happier with the pencil drawing of my daughter concentrating on her book in the sunshine.

More Shinrinyoku!

We are getting lots of gorgeous days, plenty of time for shinrinyoku (Japanese for "a walk in the woods for relaxation"). A few weeks ago we had passed a road sign for Knocksink Woods and had never been there, so Saturday we decided to explore - it was less than 10 mins by car from our house! The woods were fabulous, with all kinds of gnarly trees and exposed roots continuous up the side of the mountain.

 The Glencullen River passes through these woods, and there are lots of little waterfalls, and what I would describe as a creek. Of course I brought my sketchbook and trusty watercolour pencils. I found a rock to sit on beneath a bridge and opened my sketchbook...

We crossed the bridge to walk back on the other side of the river and were stunned that areas of wild garlic were as far as the eye could see, providing ground cover in the woods.

Of course I had to pick some and made two more batches of pesto (using walnuts this time) dividing in meal-size portions for the recently defrosted freezer. Yum!

Sketching!

I have been enjoying sketching again lately and using the opportunity of receiving flowers to have a subject which I have always loved, tulips. I thought I would post a few of these sketches. The sketch below is done using a 3B or 4B pencil.

I am also having fun with watercolour pencils. A friend recently mentioned "water pen" to me, something I have not yet come across -- must investigate!

Tulips are sometimes exhibitionists!

Another soft pencil sketch.

As I am reusing some old sketchbooks with blank pages, I am also coming across older sketches. This is an avocado pencil sketch from 2001.

This sketch is from the last Umha Aois; Experimental Bronze Casting symposium I attended (Ventry, Co. Kerry, Aug-Sept 2001). It is a drawing of my husband's pit furnace and handmade bellows.

Of course sketches may contain kernels for new paintings. My recent trip to Rome obviously inspired this as a counterpoint to my recent painting "Fractured City".

Walks and Sketching

 I am getting back into the habit of taking a sketchbook with me everywhere I go. I used to do this when I was younger, having sketchbooks of a ridiculous number of sizes and for every possible occasion! A few months ago when I was specifically looking for early "cityscape" sketches for the painting I was working on, I came across quite a few sketchbooks that were half empty. I decided it was an awful waste of paper if I just left them, so decided I would simply turn the sketchbooks upside down and start from the now "first" page -- and make sure I put in current dates so that any new sketches would not be confused in my artistic timeline!

As I have mentioned before, I went on a little jaunt to the Waterford area after Easter. On the way there I stopped in Carlow to visit the art centre there and have lunch. Prior to that, however, I was on a mission to find the Browne's Hill Dolmen which I had looked for unsuccessfully about 20 years ago. Now it is well signposted, no trouble at all finding. I took my sketchbook with me to see what I think is the most amazing and best example of a dolmen that I have seen.

As the weather has become less and less wintry, I have had the inclination to go on more regular walks and enjoy "shinrinyoku". This is a Japanese word I learned last year which literally means "forest bathing" but translates as "a walk in the woods for enjoyment". Though not the woods, the avenue leading to Powerscourt Estate, a big house and gardens not far from us, is very scenic and lined with stately trees. We went on a family sketching day there in April.

For some actual shinrinyoku, there are the easily accessible, and very close to us, woods on the side of Bray Head. This is an April 19th sketch of a very knotty and ivy covered tree that I liked. I enjoy doing sketches using watercolour pencils, bringing along a small plastic container of water with me, just dipping the pencils in water as I wish.

On the bank holiday Monday just past, the bluebells were out in full force in these woods.

Again, a sketch using watercolour pencils on a very pleasant day.

Old Sketchbook Portrait Drawings

When I was looking for the cityscape sketches in my old sketchbooks prior to painting "Fractured City", I came across loads of sketches of people (family & friends) where I had used a variety of media. Here is a sample:

This is a pencil drawing of one of my sisters from a 1981 sketchbook. Her bed was next to mine, so I have loads of "Sleeping Dee Dee" drawings.

This is another sketch of my sister Dee Dee, this time awake. It is done in bue pencil crayon, perhaps I wanted to be atmospheric - but it is the only time I have ever used blue pencil crayon to sketch! The sketch is dated Aug 6 1981.

This pen sketch of my brother-in-law, Paddy, is dated May 16 1981, and was drawn while in the back seat of the car on the way to Pearson Int'l Airport in Toronto. One of my older sisters, Geni, her husband and baby daughter, Jesse, were returning to Ireland to live (at least Paddy & Geni were!).

Using a regular pen I wanted to show the form of the cat, Yoko, in my friend Sandy's arms. The sketch is dated July 21 1981.

 

This is a watercolour sketch of my friend Jay, June 27 1983.

This sketch of my (now) husband James was done in our first home in Ireland, Darby's Bridge, Co. Kerry in April 1994. Since I abhor "brown" I doubt I was using pencil crayon, more likely conté.

A pencil sketch of my husband from August 2001, reading in bed, at our first home in Bray, Co. Wicklow.

Happy Anniversary!

Yesterday was my 20th wedding anniversary! It has been a great 20 years, and has just flown by. Our wedding date was chosen haphazardly as a day to correspond with a party my husband had in the 1980s, which was also close to Valentine's Day. So making a card for our anniversary doubles as a Valentine's Day card. Am I lazy or what? For this year's card I used some paper that I had picked up in Chinatown in Toronto on my first visit back there in 1995 (I moved to Ireland in 1993). The bundle of Chinese paper squares already had applied metal leaf and some paint on them; I used a piece as a backdrop for my abstract cityscape of ripped blue card. The additional heart and gold leaf is like a sunrise. 

In the spring of 1988, I started going out with this young man (the host of the above-mentioned party!). This portrait is from one of my sketchbooks of that year.

In 1991 we were living together in Toronto, and my job at the time allowed my spouse, including common-law spouse, to avail of my dental plan. It was a good time to get needed work done, including the removal of wisdom teeth. He was very smart, taking all the dental surgeon's advice seriously. My partner James is not holding a heart to his face, but ice packs to ease the swelling after surgery, and he is smartly wearing gloves so that his hands don't get cold!

In this portrait from a 1994 sketchbook, I suspect James was reading as he is looking down. Because of the colouring, I think I was using a conté pencil to do this sketch.

This drawing of James is from a 2001 sketchbook and I know he was reading because I have written "James reading" on the left page!

In this painting, Daddy Kiss, from 2012 from the Moments series, I have painted James with our new-born baby. Our baby is now heading for 13 years old so it is high time I did some new sketches of my husband!