The Key - bound

As I said in last week's post, I have been taking a ceramics workshop on Thursday afternoons at Signal Arts Centre, and had the idea to test the possibility of a ceramic book cover. I made these two piecces as back and front covers of a book with a "stick book" binding.

I decided to make a personal, unique book of key images on handmade paper. so prepared the individual pages for the book before starting any drawings.

On the back inside cover I used PVA glue to affix a strip of paper as an information page.

This shows the covers' relationship to each other prior to inserting the pages.

I wrapped a thinner piece of acid-free rag paper around the pages, holding them together with lion clips before using an awl to create holes.

The covers and pages are ready to put together.

Quite thin garden wire, which is covered with PVA, is threaded through the holes to bind the book.

The book is a sturdy little thing! My name is stamped on the back cover: this was done prior to firing when I first created the cover in clay.

My hand shows the intimate scale of The Key.

The inside back cover gives information details: title, materials, edition, date and signature.

Preparations...

While I am busy working on the new painting, I am also doing the background preparations for the Sticks n' Stones books I am planning to make in the next few months. I have mentioned this project before: companion books - an accordion book and a stick book. I definitely needed some paper for printing and was delighted to be able to order some Fabriano and Indian rag online from Evans Art Supplies. Along with some other supplies, the items were delivered to me in two days. I was impressed by the careful packing (in fact, extricating the paper packs was a bit Fort Knox-ian!). 

I knew some adjustments had to be made in my pasta machine printer in order for it to handle a long intaglio plate (800 micron acetate). Because of the base on the machine, and the shape of the table it would be clamped to, only a small rectangle plate could be used, so I imagined the base would have to be cut so that it hovered above the floor from a height - a long plate could then go through the machine. The birds eye view shows that the printing plate can go through the press vertically and there is about 3 feet distance to the floor -- plenty of room to accommodate a long plate (though my print won't be THAT long!).

However, and thrillingly so, the base was removable/adjustable such that it could be turned around and hover over the floor without having to make any cutting changes. I just need to use an extra clamp for balance an security. The side view shows how the machine will cantilever from the table.

Accordion and Stick Books

I have my next book-print project in mind for during the summer (after my big painting is finished). One thing I needed to do, though, was whip up a couple of templates for an accordion book and a stick book. These were done really fast to ensure I had the concept right for the book designs, I haven't decided on paper or materials for covers yet.

So first off, I got some thin cardboard for the front and back covers. I recommend having a look at American artist Susan Kapuscinski Gaylord's YouTube channel here - she gives complete, quick instructions on how to make a variety of simple books for various uses. She is also a brilliant calligrapher and artist, using bookbinding within her gorgeous sculptures (have a look at The Spirit Books).

I used some heavy grey paper, folded it and glued the covers on either end. Okay, I have the concept figured out! In 2015, I saw an exhibition of Etel Adnan's work at the Irish Museum of Modern Art, and in a display of small works there was an accordion book, which was opened out to reveal a single painting. This has stayed happily in the back of my mind till now.

I am also planning a stick book for this coming project - the two types of books, with their prints, will be companions.

Again, I have not yet decided on the materials for the pages or covers. It is not likely that I will use acidic cardboard for covers, as I am not planning endpapers (I used 100% acid-free rag endpapers for the Good Morning/Maidgín Mhaigh/Buenos Dias books). However, never say never - it's early days yet!