Lanzarote - Cesar Manrique

I spent Oct 7 - 14 on Lanzarote, based in Puerto del Carmen, in the Canary Islands. Oh bliss! Everywhere on Lanzarote is the imprint of native artist-architect-environmentalist Cesar Manrique [1919-1992]. In the airport arrivals hall one is first greeted with the island's logo, designed by Manrique:

Aside from swimming with the fishes in the warm Atlantic, I did a few excursions including a South Island Tour to explore the volcano Timinfaya. The "fiery mountain" erupted 300 years ago for 6 years and completely devastated the island. Timinfaya National Park is a protected area so that the volcanic environment is seen and enjoyed in its purest possible form. Manrique also designed the logo for Timinfaya National Park which is seen on loads of tourist items. This is a metal piece on the wall of the restaurant on the volcano which he also designed.

This is the restaurant oven which uses the heat from the mountain depths (400 metres below) to cook food! It was hot in that room, but it smelled really good...

The tour bus traveled on a one-way route through Timinfaya with stunning (and often terrifying) views of craters, lava flows and volcanic debris. Outside of the national park, the tour continued to Las Salinas de Janubio (salt flats), El Golfo and Los Hervideros. The viewing points for Los Hervideros ("Boiling Pots") were designed by Manrique and are completely sympathetic with the landscape.

The boiling may refer to the ocean when the volcano erupted as the water certainly would have gotten very hot!

Or it may refer to the bubbling and crashing of the water against the shoreline and within hollow lava tubes.

Regardless of the origin of the name, it is something to see!

Still working away!

I am happily working away on my triptych, tentatively called "Tree Kids". I thought I would post a couple of details to give a better view of the texture in the painting. The figures are almost life size. This is a closeup of the figure based on K.

This picture gives an idea of the leaves in the tree, and the Chinese paper that I glued on before I started painting.

Tree Kids - in progress

I am happily working away on my triptych painting, which I have started referring to as "Tree Kids" though I don't know if this title will remain when finished.

I have lightened up the blue sky, added some more Chinese paper leaves and changed the horizon to a higher slope (the scene is based on a place in Prague -- a lovely park with freaky trees on Petrin Hill. Of course, I have reddened my tree as I saw it in my mind's eye.

Fauvism

My daughter and husband were both away recently (James giving bronze casting demonstrations at a museum in West Cork, Elise at a sleepover) which gave me a chance to make a start on my triptych.

It has progressed since the above picture was taken and I realise the freaky tree (based on a tree in a park in Prague) is having a "fauvish" effect on me. I am almost positive it is going to turn red by time I am finished with it! My daughter has been asking me what I meant, and good old google helped me explain Fauvism.

In my head I could see red trees, and finally found the painting my brain was referring to: André Derain's "The Turning Road, L'Estaque" from 1906. I first became familiar with Derain's work while on my first art school visit to New York back in 1980 (I think). I would have to admit, his work has been quietly influential on my work! Here is another Derain: "The Effect of Sun on the Water, London".

 "Les Fauves" translates as "wild beasts" and the main proponents of Fauvism are Henri Matisse and André Derain. There were of course other artists in that movement which lasted about ten years at the turn of the last century. Matisse did several versions of "The Dance" but this is the one I prefer.

Working away...

Before my husband, James, went to West Cork for a few days to give some bronze casting demonstrations, he helped me put up some of that paper that I got during the summer. Three pieces make a nice size triptych. I was very happy and looking forward to doing some work while he was gone!

So this is in progress! Planning to do some more work on it today.

Moments - more paintings!

I recently finished two more paintings in the "Moments" series. This is "Climbing", acrylic on raw canvas, approx 92 cm x 51 cm.

And this is "Snowman", acrylic on raw canvas, approx 58 cm x 72 cm.

That finishes the works on canvas in this series for me, now I am looking forward to doing some big drawings/paintings on that roll of kraft paper I got given to me in the summer. Before starting that, however, I needed to clear space in the studio and reconfigure the plastic drop sheets -- ready, steady, go!

Seamus Heaney, RIP

Along with so many others, I was saddened to hear the news of Seamus Heaney's death a few days ago (Fri Aug 30). Obituaries for this amazing poet and Nobel laureate abound so it is hardly necessary for me to go into detail. I am reading Beowulf again, however. Although I was entertained by the fluffy 3D film a number of years ago, this book is entirely on a different level.

For my first solo show back in the 80s, I was working on a series of sculptural drawings created by erasing graphite from paper. On seeing some of my drawings a friend of mine told me they reminded him of Sweeney. I didn't know the reference and was promptly loaned Heaney's version of "Sweeney Astray", an epic Irish prose/poem. After reading the book, I understood my friend's reference and the co-relation to my work (the flight, the madness, the loneliness). I titled the drawing below "Sweeney Among the Roses" [graphite on Canson paper, approx 101 cm x 150 cm, 1989]. It was exhibited with the other drawings in April 1989 at Temple Bar Gallery & Studios, Dublin and a few months later, the exhibition in its entirety was also exhibited at the Nun's Island Arts Centre, Galway. Despite the subject, I find it interesting to remember that this was the only drawing of that series where the figure had her eyes open.